It feels like several years have passed since Christopher Nolan released ‘Interstellar,’ but that’s just because I’m still stuck on that tidal-wave planet where time dilates and stuff. In reality, it’s only been a couple months since Nolan’s latest epic sci-fi film, which opened to positive reviews and, despite its heady subject matter, went on to earn more than $660 million worldwide. Love it or hate it, you have to at least respect the fact that Nolan’s still making huge blockbusters based on original ideas and deeply personal subject matter—as opposed to board games or toys or something.
After stops and starts and leaks and reversals, Quentin Tarantino’s 70mm Western ‘The Hateful Eight’ is now, finally, officially, definitively, happening. The Weinstein Company announced today that production has begun in Telluride, Colorado.
When Disney bought George Lucas’ company, they got more than the buildings, computers, droids, and the ‘Star Wars’ intellectual property. They also got George Lucas’ unused ideas for future ‘Star Wars’ movies. Though Lucas had insisted for years that ‘Revenge of the Sith’ was his final ‘Star Wars’ film, that didn’t stop him from brainstorming a few other potential stories that could be set after the events of ‘Return of the Jedi’ (and, I assume, mostly involve Jar-Jar Binks wandering the universe and getting into “hilarious” misadventures).
If you haven’t watched Seth Rogen and Evan Goldberg’s ‘The Interview’ yet, either because you’re too cheap to spend $6 to rent it online, or you were worried North Korean hackers would catch you buying it and share your private emails slagging your boss with the world (I’m sorry Mike! When I called you “a giant goober,” I meant that in an affectionate way, like Goobers candy! Which everyone loves!) you are in luck. As part of their quarterly letter to shareholders, Netflix announced that they will “exclusively” offer the comedy to its U.S. and Canadian customers starting this Saturday, January 24. Sorry Netflix Netherlands! You’re out of luck for now.
I wonder if Chris Kyle was a Clint Eastwood fan. ‘American Sniper’’s marketing materials describe Kyle as “the most lethal sniper in U.S. history,” but before his military career, Kyle was a cowboy. He wore a hat and boots, and even carried a six-shooter. Eventually, he gave up the cowboy life and decided to serve his country. He was a gifted marksman and trained to be a Navy SEAL. But even as a soldier, Kyle never lost that cowboy swagger—or that sense that someone has to venture out into the frontier and protect the American way of life. That’s what Kyle learned from his father—who raised him to be a “sheepdog,” a watchful protector in a world of sheep and wolves—and from watching violent Westerns like the ones that made Eastwood a major Hollywood star.
Jeremy Renner would not make a very good spy. The guy can’t keep his mouth shut! If you’re doing something secretive, you’re supposed to keep quiet about it. But earlier today Renner teased something he’s doing for Marvel as Hawkeye, the master archer of the Avenger. And, really, Renner should know better because he works for S.H.I.E.L.D. (and as Jason Bourne’s replacement in ‘The Bourne Legacy’!)
Dig this, blockheads: The ‘Peanuts’ gang, originally created by cartoonist Charles Schulz, have appeared in so many incarnations in their 65-year history. They’ve been a comic strip, a series of much-beloved television specials, a Broadway musical, greeting card staples, and even the successful pitchmen for life insurance. Now, for the first time, they’re becoming a 3D feature film, with this year’s ‘The Peanuts Movie.’
As ‘Batman’ goes, so goes comic-book movies. When Tim Burton turned the Dark Knight into a retro-gothic hero, Hollywood followed suit with a slew of heavily stylized pulp throwbacks. (See: ‘Dick Tracy,’ ‘The Phantom,’ ‘The Shadow,’ etc.) And when Christopher Nolan turned the Dark Knight into, well, ‘The Dark Knight,’ it sparked a wave of “grim and gritty” movies, with serious superheroes doing and saying serious things in outrageous spandex costumes that had been reimagined as biker gear or body armor. (See: ‘Man of Steel’ [Or maybe don’t.]) There’s been some pushback, but we’re really only now coming out of the trend toward ultra-serious, uber-dark comic-book movies.
Back in October, it was reported that ‘Lucy’ and ‘Avengers 2’ star Scarlett Johansson had been offered $10 million to anchor the new, American (and live-action) version of the classic Japanese anime ‘Ghost in the Shell.’ It took a while for Johansson to decide (“Hm, do I really want $10 million? This is a tough one!”), but Variety now says she’s made up her mind: Johansson will star in the new ‘Ghost’ for director Rupert Sanders.
“Nothing is over!” These are the words of Col. John J Rambo, the hero of ‘First Blood’ (better known as ‘Rambo’) and then ‘Rambo: First Blood Part II’ and then ‘Rambo III’ (the only one people call by its actual title and then ‘Rambo’ (better known as ‘Old Rambo’). After what basically amounts to a movie-long chase, ‘First Blood’ concludes with a heartfelt speech from star Sylvester Stallone, explaining how nothing (meaning the Vietnam War) is over for him; that his mind is too scarred from his brutal deeds and by the cruel treatment he’s received on the homefront. It’s a powerful (if occasionally incomprehensible) scene.
J.J. Abrams is famous for keeping secrets. His whole schtick as a director is the “mystery box”—finding pleasure in the unknown, and in the tease of that uncertainty. He didn’t show the monster in the trailer for ‘Cloverfield’; hell he didn’t even show the title of the movie in the trailer for ‘Cloverfield.’ If J.J. Abrams could release a movie without telling you anything about it, he probably would.
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